Bach Bibliography Search Result - Ordered Chronologically

Author : Chapin, Keith
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Chapin, Keith Moore:   From tone system to personal inspiration: The metaphysics of counterpoint in 18th and early 19th- century Germany. diss. (2002), 322p. PhD, Stanford University, 2002. Ann Arbor, MI: University Microfilms International, 2002. 322p. ISBN: 0-493-87464-X. UMI No. 3067845.
	2.	Chapin, Keith:   Human Work with Divine Material: A Work Concept in the Theory of Christoph Bernhard. [p]SSCM_Winston-Salem (Apr 2003) A paper read at the Society for Seventeenth-Century Music, Eleventh Annual Conference, held at Wake Forest University, Winston-Salem, North Carolina, 3-6 April 2003. http://www.arts.uci.edu/sscm/archives/WForAbs.html
	3.	Chapin, Keith:   Classicist Terms of Sublimity: Christian Friedrich Michaelis, Fugue, and Fantasy. AdParnassum 4/8 (Oct 2006), 115-139.
	4.	Chapin, Keith:   Scheibe's Mistake: Sublime Simplicity and the Criteria of Classicism. 18cM 5/2 (Sep 2008), 165-178.
	5.	Chapin, Keith:   The Rhythms of Counterpoint and the Representation of Time: Bach, Haydn, and the Et vitam venturi Fugue in the Missa in tempore belli. [p]AMS_Nashville (Nov 2008) A paper read at the Annual meetings of American Musicological Society and the Society for Music Theory in Nashville, 6-9 November 2008.
	6.	Chapin, Keith M.:   Bach's silence, Mattheson's words: Professional and humanist ways of speaking of music. In: Keith Chapin and Andrew H. Clark (eds.), Speaking of Music: Addressing the Sonorous. - New York: Fordham University Press, 2013. 344p. ISBN: 0-8232-5138-1; 978-0-8232-5138-4; 0-8232-5139-X; 978-0-8232-5139-1. pp. 49-69.
	7.	Chapin, Keith:   Temporal Modes and Symbolic Stakes: Strict Composition in Early Nineteenth-Century Europe. Musurgia 21/1-2-3 (Oct 2014), 29-41.